ACES and OpenColorIO color space workflows improve professional color-correcting workflows and keep consistent color between collaborators.įrame.io has added the ability to sync still-frame photography just like video. This gives creators access to their most important settings - essentially improving efficiency with less timeline twirling. If you are a fan of Premiere Pro’s collaborative multi-user editing workflows, then you’ll appreciate that Adobe has added progressive project loading, sequence locking, presence indicators, publish and update buttons, and a work offline feature.Īfter Effects is also getting some useful updates, including a Properties Panel. Other Premiere improvements include upgrading captions to graphics, batch graphic adjustments, alignment tools for titles and graphics, AAF support on Apple Silicon and more. They have also expanded support for Sony Venice 2 cameras with v2 firmware. Adobe has even updated how GPUs work with certain camera codecs, including ARRIRAW (ARRI Alexa 35) and R3D (Red V-Raptor XL). Some more important updates include background auto-save, system reset options, Effect Manager for plugins and additional GPU acceleration. Simply, Premiere will read the metadata of the video clip and apply any LUTs necessary to match your working color space. In addition, Adobe is continuing to advance Premiere’s automatic tone-mapping feature, which was released in February. Highlighting sequences in a transcription/script and editing them into the timeline is a great workflow to quickly build rough cuts based solely on what is said. Adding text-based editing really ties up one of Premiere’s loose ends in the professional editing world. Premiere Pro’s automated transcription and subtitle workflow is probably the best on the pro market. If you’ve used Avid’s ScriptSync, then you are already halfway through learning text-based editing. For their part, Adobe says they have created “the fastest and most stable version of Premiere Pro ever.” Time and testing will tell.Īdobe reports that it’s transitioning its AI-powered, text-based editing out of beta and into the official Premiere Pro release in May. Those updates are great, but what editors really have been asking for from Adobe is to solidify Premiere Pro’s foundation - to make it more stable. During a recent online press conference, the company was touting workflows available from Frame.io as well as generative AI functions - what they are calling Firefly. Adobe has revealed the latest batch of updates for its Creative Cloud video apps to be shown at NAB 2023.
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